Interview Author Helen Matthews answers our questions

What is your new thriller House of Lies about?

Emma has overcome plenty of obstacles in her life, from student bride to single mum of a son, Owen, but she has found happiness with her second husband, Paul and another child, Mollie. Emma’s dark days seem far behind her until a fatal accident happens at Paul’s work and he is held responsible.

On holiday in France, trying to leave his problems behind, Paul’s behaviour turns erratic. On impulse, he buys a cheap, dilapidated property and, to Emma’s dismay, persuades her they can renovate it into a holiday home.

Back in England, their problems spiral out of control. Paul is unravelling—professionally and personally. Finally, they escape to France, but clouds are also gathering on the political front as the UK votes to leave the EU and the family face uncertainty in more ways than one. Funds for their renovation project dry up. Paul returns to England to take short-term contract work and Emma battles on alone.

As the couple strive to renovate their marriage, their French ruin and to open a small business, shadows from the past threaten their happiness and safety.

Escape to a new life in France seemed like the only solution, but means heart-breaking loss. When danger threatens, Emma must fight to protect herself and save her daughter.

But, after all, how can you build a new life on toxic foundations?

 

House of Lies is set in Limousin. What inspired you to write a book set in France?

The idea for this novel came to me when I was on a writers’ retreat at Gladstone’s Library in North Wales. I absolutely love France and had always wanted to write something about my family’s experience of impulse-buying a tumbledown farm building in the Vendee, thinking it would be easy to turn it into a modest holiday home (It wasn’t). Over two decades of renovating our ruin and visiting France we met many people from the UK who had followed their dream to move to France and start a new life. This got me thinking about whether their dreams worked out. Many British people we met had young families and wanted an affordable rural life, in a safe area and a good education for their children. Some people adapted and loved the life. Others took their unhappiness with them and ended with a worse outcome because they’d burned their bridges and couldn’t afford to return to the UK. The idea for the novel House of Lies (originlly published as Lies Behind the Ruin) came from that.

I didn’t want to set the story in the area of France where we have our holiday house so chose the Limousin because I have been to Limoges and the surroundong area many times. The scenes set in Limoges are real places but the village of Sainte Violette where Emma and Paul move to and run the bar is fictitious.

Helen Matthews with her dog, Homer
Helen Matthews with her dog, Homer
Helen Matthews with her swim medal
Helen Matthews after completing a 2.5k swim for a cancer charity

What do you think is particularly harrowing about a thriller centred around a crumbling marriage?

Domestic thrillers centre on marriages and family relationships and dig deep into the realities of how what might look perfect on the outside can actually be rotten at the core. They also often use the premise that the danger and threat a character faces takes place in the one place where they should feel safe and secure—their home.

House of Lies is a psychological suspense novel with elements of the domestic thriller. It starts with us getting to know (and hopefully care about) the characters, understanding their dilemma and feeling for Emma’s anxiety as she realises her home in London is at risk and she has to take a step into the unknown to start again experiencing massive loss along the way. Emma battles to build a new life and home in France and then a new danger that was threatening her family in England, pursues them to France. The story begins in Emma’s point of view then switches to Paul’s. The reader discovers that everything they thought was true is not as it seems. This increases the reader’s concern for the characters.

 

Where is your favourite place to write?

I’m not someone who can write in a cafe or other busy places. I need no distractions so I can go deep into the minds of the characters and live their scary experiences with them. At home I have an office but I don’t always use it. On fine days, and when I’m in France, you’ll often find me writing outside in the garden.